“HOW THE FAKE ART INDUSTRY IS FORGING AHEAD” (February 4, 2015)

Thus The Financial Times today. I almost laughed when I saw the title. “A London gallery is asking visitors to ‘spot the copy’,” the newspaper elaborates. I skipped the article, but I was delighted by the coincidence of the story with my own predicament at this very time (“Sebastijan Vojvoda, Plagiarist,” January 30, 2015). If only visitors of the Zagreb gallery in which my own art is on show right now could spot a copy. And not only one. At least ten of them, as a matter of fact. Be that as it may, fake art is on the rise precisely because the art-loving public is disappearing by the day. The so-called upper middle class is as good as dead by now. As for the art experts, they are better not even mentioned. Art is farthest from their minds nowadays. To the best of their ability, they are promoting only themselves on all the media available today.